Monday, 29 March 2010
Music Inspiration
Sunday, 28 February 2010
A Distorted Reality Is Now A Necessity To Be Free

Breathtaking, painful, heartfelt, optimistic, melodic and brilliant are just some of the superlatives I use to describe one of my favourite singer/songwriters, Elliott Smith. I first discovered his work when I was sitting in my friends bedroom listening to music in the early hours of a Saturday morning. I wasn't so sure at first but my friend convinced me to take a copy of the album Figure 8, and I was hooked.
Last year he would have been 40, the age that some say life begins at. But here was a man who had already lived, seen and achieved so much that even some men double this age will never achieve his heights. Had he not have taken his own life at the tender age of 34 then maybe this world would have been blessed with more of his nuggets of gold.
Elliott Smith was not a flawed genius. He had experienced such an intense array of emotions and as an idol to so many music fans across the world. This only enhanced his humanity and made him the gentle yet troubled voice that still whispers in the ears of millions of fans, most, like me, never heard while he was still with us. He went to the edge and never came back, while some of his peers steered away from the verge before falling into the abyss just Elliott did.
On his work, I would have to say that Either/Or is by far my favourite album. The last album Elliott recorded before his work went global (Miss Misery was nominated for an Oscar for it's inclusion in Good Will Hunting'), it captured a fertile moment in Elliott's songwriting with most of the songs which were not included on it making up the posthumorous 'New Moon'.
'Ballad of Big Nothing' is a lovely optimistic musing while 'Rose Parade' is a chilled out number but the real big hitters are 'Between the Bars' and 'Say Yes' which are both sentimental and touching in equal measure as Elliott opens his heart to the listener and doesnt let them go.
The void left in music left by his passing is epitomised in a lyric from 'Miss Misery', Do you miss me, Miss Misery like you say you do'. The answer for so many young people who are equally as troubled as he was, is sadly yes. XO
Thursday, 11 February 2010
Madness Live at Cliffs Pavilion Review
Madness Live at Cliffs Pavillion, Southend 5th December 2009
As we set off for Southend on a cold and dreary December morning, I could not wait to see Madness, a band I have admired for years and surely one of the most consistent and best singles bands in the history of British Music.
Hundreds of fans, some from the original ‘nutty boys’ era, were clutching onto their pork pie hats and fezzes as they queued in the South Coast wind, while some fans were enjoying there first gig experience dressed to impress in attire their fathers would probably of worn back in the bands hey-day.
The bands latest album, The Liberty of Norton Folgate, has been widely acclaimed as their best since their debut LP 30 years ago, and this Christmas UK Tour is bearing the fruits of a long and productive career, and something we needed to warm us up in the winter chills.
Madness have always come across to me as cool wacky Uncles and this was the first time I was seeing them live, and I wasn’t disappointed.
As the crowd waited in anticipation for the gig to start, we were treated to a short film ‘15 Steps to Making It in the Music Business’, which charted the bands formation and how they rose to fame.
The band arrived on stage a little later than billed the magic flowed through the packed venue and Suggs lowered his sunglasses revealing the twinkling eyes that sparks mayhem in the crowd as the band launch into they’re trademark hit ‘One Step Beyond’.
One notable absentee on stage was bassist Mark Bedford who is taking a break from the band for the foreseeable future, and he was missed on tracks like ‘One Step Beyond’ and ‘Bed and Breakfast Man’, otherwise the ‘full’ line-up was on top form with saxophonist Lee Thompson doing his best to put his band mates off.
After classic hits came a slow building version of ‘My Girl’, Madness continued their strong set, and they could even afford to leave out hits such as ‘Driving in my Car’, ‘Cardiac Arrest’, ‘Tomorrows Just Another Day’ and ‘Grey Day’.
During the performance the band played 5 songs from the new album, which went down well with the crowd but lacked the punch of the classics and Suggs dedicated the new single ‘Forever Young’ to: “All the young people everywhere” and to his daughter who was in the audience.
The single, like all of the songs on the set list, were accompanied by short films on the giant screen projected behind the band and for ‘Forever Young’, images and clips of Madness in they’re youth portrayed a poignant scene to the dads in the crowd.
‘House of Fun’ was greeted by a huge roar from the crowd who were kicked into life all around the venue, including everybody on the balcony who didn’t stop dancing until the end of the gig.
Suggs made another dedication to the fans and thanked them for supporting them throughout the years before the 1981 single ‘It Must Be Love’.
The Band returned to the stage for a two song encore, ‘Madness’ and ‘Night Boat To Cairo’ before leaving the crowd with a sunny disposition as we left Cliffs Pavillion in the pouring rain with smiles on our faces.
Madness have indeed kept the sense of fun in the songs that fans have been chanting like football anthems for so long now, and long may they continue.
Set List
One Step Beyond
Embarrassment
The Prince
NW5
My Girl
Dust Devil
The Sun and the Rain
Sugar and Spice
Clerkenwell Polka
Bed and Breakfast Man
Shut Up
Forever Young
House of Fun
Wings of a Dove
Baggy Trousers
Our House
It Must Be Love
Madness
Night Boat to
Tuesday, 9 February 2010
NEW MATERIAL UPLOADED ON YOUTUBE
Love and Peace
Hayden
Friday, 5 February 2010
Music ( Should be a more imaginative title than that!)
Its hard to say which moment in my own history got me hooked. I have a excellent long term memory and distinctly remember watching Guns N Roses performing at the Freddie Mercury Tribute Concert in 1992. I know that sounds stupid considering that I was only 3 at the time, but it's weird how that has stuck. The first record i ever brought was Parklife by Blur from my 5th brithday money and I had an unhealthy obsession for Queen around the age of 10. I must have been the only eleven year old sitting on my school bus listening to The Who's 'Who's Better Who's Best!' Maybe its all four of these reasons rolled into one?
Perhaps one of the most inspirational moments for me was being a student in Cambridge around the time that former Pink Floyd genius Syd Barrett died. He had cut an enigmatic figure since he turned his back on the limelight in the early seventies, and as an impressionable 17 year old i revelled in hanging out in places where he would have once been, and listening to the first Pink Floyd album thinking it was one of the best things I have ever heard. 'The Piper at the Gates of Dawn', was definetly one of the reasons I began writing songs and poems.
http://www.youtube.com/watch?v=SIEsmGzo2UE
http://www.youtube.com/watch?v=9G3TS-nqhyk

